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Panchkula: Admin stresses on need for vaccination as Covid spikes
WITH Covid cases seeing a spike in numbers, the district administration as well as the health administration have stressed on the need for complete vaccination of the population. While 100 percent vaccination of target population with first dose was achieved mid-September, only 70 percent vaccination for the second wave has been recorded.
A total of 4.6 lakh people have been vaccinated with the first dose and 3.2 lakh have been vaccinated with the second dose. The CMO, Dr Mukta Kumar has stressed on the importance of getting everyone vaccinated. Speaking with The Indian Express, she said, “Vaccine is the only way lives can be saved and the only way to delay the rise of wave three in the country. While we have vaccinated 100 percent of our target population with first dose, numbers in the second dose yet stand 30 percent lower. We have not set a deadline to complete the targets within a time span but are continuously encouraging people to come forward and get their shots.” The district health department has been conducting door-to-door surveys to act as a reminder for the second dose. The district has also been making calls to all those whose second doses are due. As many as 26 vaccination centres remain active each day. More than 1.8 lakh doses of Covishield and 46,000 doses of Covaxin currently remain in stock in Panchkula.
The Deputy Commissioner, Mahavir Kaushik, also held a meeting with the officials of the health department Monday, to discuss the new variant of Covid-19 and instructed them to make all necessary arrangements in view of this. In the meeting, Kaushik has reportedly inquired from the health department officials about all necessary arrangements in the hospital like number of beds and ICU beds, availability of oxygen and Covid vaccination, etc. Kaushik has directed the health department to motivate those not yet vaccinated with the second dose of vaccine.
In view of the hike in cases, the department has increased sampling by at least 250 samples were day. While an average of 400 samples were being collected in the past month, number in the past two days has risen to above 700 per day. The number still falls short of about 1,000 samples per day, as per the Haryana government’s target given for sampling in Panchkula. Dr Mukta points out hesitation amid the population as a reason for the same. “A vaccination hesitancy has crept into the people. In an attempt to increase sampling, all PHCs and CHCs have been directed to sample all those walking in for OPDs. But we witnessed fights and a severe dip in OPD cases soon after. The residents need to be vigilant, get themselves tested. It has been months since sampling has remained low,” she says. The health department is also sending out samples at random for genome sequencing. “As per guidelines, we have to send 2-5 per cent of the total samples. We also take special care to send samples of foreign returnees for sequencing as well,” she added.
‘Plot Point in Our Sexual Development’ dissects a history of trans love
Along with Father/Daughter at Aurora Theatre in Berkeley, there are currently two shows in which intimate relationship dramas are played out over a prominent piece of furniture that sits center-stage. The divan in theof Plot Points in Our Sexual Development (running through December 19) closely resembles the type of chaise lounge often associated with psychiatry, serving as both a clue to how the characters got here and a nod to how sincerity is as necessary in therapy as with one’s spouse.
Granted, we don’t meet our characters during a therapy session, but it seems likely that one was the impetus behind the exercise in which we find them. Cecily (Akaina Ghosh) and her trans partner Theo (Ezra Reaves) are recounting their sexual histories over a bottle of red. Not just when they first had sex and with whom, but also their personal histories of understanding sex as a concept. They tell of elementary school classmates who went on and on about what did and didn’t get your pregnant, and accidental encounters with inanimate objects that wound up resulting in orgasms. Both recount a number of boys (and grown men) and the looks those guys would give them. There’s a particularly hilarious story as to why Cecily has an affinity for a certain “c”-word.
Most of all, they recall and understand just how they truly became aware of their own bodies. These tales range from a Catholic upbringing in which non-marital sex was associated with STDs, to having sex explained by an audio tape during a trip to Hershey Park. We audience members are taken by the hand and guided through each partner’s sexual awakening, which produced as much terror as they did joy. The fourth wall is occasionally broken, for an intimate exchange of heartbreak tales and hot moments of passion that go beyond any simple exchange between partners. The two interact with us, seemingly because it lets them know they aren’t alone in these experiences.
But why, you may wonder, are they sharing these stories at all, if not for our amusement? (Or edification—the production is being presented in partnership with the San Francisco Office of Transgender Initiatives and the Transgender District.) After all, the back-and-forth nature of their exchange has an almost-vaudevillian air of two comedians trying to one-up each other by telling the same joke different ways, a là The Aristocrats. But it becomes clear that Cecily and Thea aren’t competing with one another—or at least, they shouldn’t be. Though no therapist is explicitly mentioned, we learn their exchange is a deliberate couple’s exercise meant to seal a crack that has developed in their relationship.
Incidentally, the couple telling us how they became comfortable in their own bodies have never been completely comfortable with each other’s bodies. It’s the sort of thing someone would mistakenly dismiss as a non-issue, until it very much becomes an issue. The longer it’s ignored, the worse it becomes, and Cecily and Thea may have finally reached a breaking point. They’ve turned their respective sex lives into narratives, because they want to how this most recent twist came about.
Under the direction of Leigh Rondon-Davis (star of a similarly intimate couples’ drama at the Shotgun Players), the humor and, for lack of a better term, danger of Miranda Rose Hall’s script doesn’t drag, even at a brisk 55-minute runtime. No matter your identity or sexual history, its recounting is bound to include surprise delights and sad, missed opportunities. By placing the action in the round of a set walled with framed tchotchkes (no specific scenic designer is named), Rondon-Davis intentionally blurs the line between the audience-as-mere-observer and audience-as-intruder; we feel we shouldn’t be here, but we can’t miss the next story told.
The always-reliable Akaina Ghosh (who I’ve directed before, in a short play for) adds another impressive and natural performance to their resume, bringing both a great deal of humor to Cecily’s Catholic guilt, and an air of tragedy in imparting the knowledge that their romance may have soured. I’m not familiar with the work of Ezra Reaves, but he is fully realized as a character that would otherwise just be a plot point in the tired story of a straight girl’s sex history.
Of the two shows currently running on both sides of the Bay, Plot Points in Our Sexual Development finds its edge in the way its story and characters unfold, rather than being forced upon the audience. Granted, both shows are well-directed, with strong racial- and gender-diverse casts. What’s more, they both take place in theaters that allow for just big enough of an audience to make an impression, yet small enough that hopefully everyone feels comfortable.
Because when dealing with the topic of body image and sexual history, the comfort of everyone involved—including the public—needs to be the highest priority.
PLOT POINTS IN OUR SEXUAL DEVELOPMENT Runs through December 19. New Conservatory Theatre Center, SF. More info and tickets.
‘Yellowstone’ Star Reveals Which Cast Member Is the Funniest
Yellowstone is about as dramatic as a television show can get, but that doesn’t mean it’s always serious all the time. Though the smash Paramount Network show is hardly a comedy, actor Kelsey Asbille says there are quite a few moments of levity between takes — especially from one cast member in particular.
“It’s a really fun group, and we just really like spending time with each other,” Asbille — who portrays Monica Dutton on the show — tells Taste of Country in an interview to promote Season 4 of the smash hit show.
“Especially this past season, because we were kind of in a bubble,” she says. “We were one of the first shows to start production during the pandemic, so really, all we could see was each other.”
“It was lovely, man,” Asbille continues. “We have a great time. Nothing too exciting, we just like hanging out.”
Though the tone of the show is quite dark at times, Asbille reveals that there are plenty of fun moments that viewers don’t get to see.
“They should do a reel, honestly,” she says with a laugh. “There is a lot of laughter that you would not expect, especially with Luke [Grimes, who plays Asbille’s TV husband, Kayce Dutton]. Luke can get the whole crew laughing very easily. So yeah, I would say a lot of our outtakes … we have fun, despite the circumstances.”
Yellowstone‘s Season 4 has brought big changes to Monica, Kayce and their son, Tate (Brecken Merrill). Tune in to Yellowstone every Sunday night at 8PM ET on the Paramount Network to keep track of the latest, and stay tuned to Taste of Country as we provide week-to-week coverage of Yellowstone and the first season of the upcoming prequel 1883, including episode analysis, news on the shows, cast interviews and more.
As part of our comprehensive coverage, check out the new Dutton Rules podcast onand .
1883 is set to premiere on Dec. 19 and will air exclusively on Paramount+..
You Can Rent a Cabin on the Ranch From ‘Yellowstone’ – See Pictures
The stunning Montana ranch that serves as the setting for the hit TV show Yellowstone offers cabins for rent, and the price includes tours of the set and ranch. Scroll below to see photos of the extraordinary property.
See Inside ‘Yellowstone’ Star Ryan Bingham’s Gorgeous $2.45 Million Estate
Yellowstone star and singer-songwriter Ryan Bingham has listed his 3-bedroom, 3.5-bathroom, 2,394-square-foot home in an exclusive area of Los Angeles for sale, and pictures show a beautiful, luxurious property that offers stunning mountain views.
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