Spike Jonze films have all the time defied straightforward classification. From the bizarre world of Being John Malkovich to the metatextual zaniness of Adaptation, his movies all the time retain a way of uncooked and trustworthy humanity even after they’re branching out into outlandish territory. Of all Jonze’s movies, although, Her may really be probably the most human — which is saying one thing when you think about the subject material.
Written by Jonze himself, the movie is the story of a lonely man who finds himself hanging up a friendship, and later an intense romantic relationship, with a classy working system he simply purchased. On the floor, this may seem to be a relatively one-note little bit of storytelling, however the way in which Jonze explores the varied implications of the connection — via sensible performances from Joaquin Phoenix, Amy Adams, and Scarlett Johansson — and the way in which the bigger world responds to the identical phenomenon. Superbly crafted, oddly humorous, and stuffed with emotional shock, Her is in contrast to some other main sci-fi movie of the final decade.